(Director:
Joe Dante. Screenwriters: Richard Robinson and John Sayles.)
Review
Plot: At
the height of summer, a pushy, impulsive skiptracer, Maggie McKeown (Heather Menzies-Urich, billed as Heather Menzies, SSSSSSS, 1973), tracking two missing
adolescents in the Lost Lake River area, breaks into an experimental military
lab with help from a reluctant, local drunk, Paul Grogan (Bradford Dillman, DEMON, DEMON, 1975). While inside the facility, she drains the deadly pool where
the teenagers died, unwittingly unleashing genetically engineered, hyperaggressive fish into local waters. Then the military shows up,
worsening a bloody, out-of-control situation.
To say
any more about the plot of this darkly funny, sometimes gory, campy cult classic (in the best, truest sense) is to ruin it. It’s a gutsy work, nobody—not
even children—get spared in it (something that might upset sensitive
parental types), an economically shot, fast-moving, lots-o’-nudity, truly-a-B-movie
with a love of old horror and camp (not surprising, considering its director, Joe Dante, and its producer, Roger Corman). Its fish-attack scenes, often shot in extreme
closeups (amidst water-cloudy gore) are effective and gripping, something
that can be said about all aspects of this grindhouse gem, one worth watching
and rewatching, unless you’re planning to go swimming in the immediate future. Followed
by PIRANHA II: THE SPAWNING (1982).
PIRANHA’s other standout players and crew include:
Richard Deacon (INVASION OF THE BODY SNATCHERS, 1956), as Earl Lyon, Maggie
McKeown’s skiptracer boss, who assigns her the missing teenagers case;
Keenan Wynn (KOLCHAK: THE NIGHT STALKER, 1974-75, and THE DEVIL’S RAIN, 1975) as Jack, Paul Grogan’s easy-going friend, who loves fishing
with his dog;
Kevin McCarthy (INVASION OF THE BODY SNATCHERS, 1956) as Dr. Robert Hoak, frenzied, onetime head of a long-dead Vietnam War-era project (“Operation: Razorteeth”) that spawned the genetically engineered piranha;
Barbara Steele (THE PIT AND THE PENDULUM, 1961) as Dr. Mengers, scientific lead and
media spokesperson of the military team trying to contain piranha/their media
release, and kill the fish;
Bruce Gordon
(CURSE OF THE UNDEAD, 1959) as Colonel Waxman, Dr. Menger’s like-minded commander
of the military team;
Dick Miller (GREMLINS, 1984) as Buck Gardner, a local real estate agent, also
interested in hiding the truth about the piranha;
Paul Bartel (DEATH RACE 2000, 1975) as Mr. Dumont, head lifeguard—pompous, tough-love aggressive;
and
Belinda Balaski (THE HOWLING, 1981) as Betsy, the lifeguard who tries to comfort Suzie, a girl who’s afraid of the water.
Deep(er) filmic dive
PIRANHA is
John Sayles’s script-penning debut. He also played a “Sentry” in the film.
According
to IMDb, “The piranha [attacks] were done by attaching rubber fish to sticks.”
Also
from IMDb: “The extras were all paid $5 a day and given a box lunch.”
Also
from IMDb, Universal studios was going to sue New World Pictures for making fun
of Steven Spielberg’s JAWS (1975)—acknowledged by PIRANHA filmmakers
early on, when someone is seen playing a JAWS video arcade game. The
suit didn’t happen because Spielberg saw PIRANHA, really liked it, and
declared it “the best of the JAWS rip-offs”.
PIRANHA
director
Joe Dante later worked with Steven Spielberg on THE TWILIGHT ZONE: THE
MOVIE (1983).
Actor
Richard Dreyfuss, one of the leads in JAWS (1975), had an early-in-the-flick
cameo in Alexandre Aja’s 2010 remake of PIRANHA 3D.
In Anthony Petkovich’s article “If It’s a Good Picture, It Isn’t a Miracle: An Interview with Joe Dante” (Shock Cinema magazine, issue 61, February 2022, p. 38), Joe Dante said that Kevin McCarthy was a Method actor (more so than co-star Bradford Dillman). Because of this, Dillman was “scared” when McCarthy’s character (Dr. Robert Hoak) attacked Paul Grogan (Dillman’s character) when they first meet in the film.
